Bodily Explorations in Space: Social Experience of a Multimodal Art Installation
Identifieur interne : 000594 ( Main/Exploration ); précédent : 000593; suivant : 000595Bodily Explorations in Space: Social Experience of a Multimodal Art Installation
Auteurs : Giulio Jacucci [Finlande] ; Anna Spagnolli [Italie] ; Alessandro Chalambalakis [Italie] ; Ann Morrison [Finlande] ; Lassi Liikkanen [Finlande] ; Stefano Roveda [Italie] ; Massimo Bertoncini [Italie]Source :
- Lecture Notes in Computer Science [ 0302-9743 ] ; 2009.
English descriptors
- Teeft :
- Aesthetic experience, Artwork, Blue light, Bodily explorations, Circumspection phase, Cultural commentators, Different techniques, Field study, Flow experience, Future work, Galassie, Galaxy, Installation, Installation space, Interaction analysis, Interaction design, Interactive, Interactive area, Interactive installation, Interactive installations, Interface, Jacucci, Ludic, Ludic engagement, Ludic pleasure, Multimodal, Multimodal interfaces, Negative feelings, Ombra, Other people, Other techniques, Other visitors, Panas, Panas scores, People orient, Positive feelings, Proc, Public settings, Qualitative analysis, Qualitative questionnaire, Same space, Semantic categories, Social experience, Social psychology, Stelle, Studio azzurro, Subjective distress, Transparent wall, User, Visitor.
Abstract
Abstract: We contribute with an extensive field study of a public interactive art installation that applies multimodal interface technologies. The installation is part of a Theater production on Galileo Galilei and includes: projected galaxies that are generated and move according to motion of visitors changing colour depending on their voices; projected stars that configure themselves around shadows of visitors. In the study we employ emotion scales (PANAS), qualitative analysis of questionnaire answers and video-recordings. PANAS rates indicate dominantly positive feelings, further described in the subjective verbalizations as gravitating around interest, ludic pleasure and transport. Through the video analysis, we identified three phases in the interaction with the artwork (circumspection, testing, play) and two pervasive features of these phases (experience sharing and imitation), which were also found in the verbalizations. Both video and verbalisations suggest that visitor’s experience and ludic pleasure are rooted in the embodied, performative interaction with the installation, and is negotiated with the other visitors.
Url:
DOI: 10.1007/978-3-642-03658-3_11
Affiliations:
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Le document en format XML
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La Fabbrica del Vapore, 20154, Milano</wicri:regionArea><wicri:noRegion>Milano</wicri:noRegion></affiliation><affiliation></affiliation></author><author><name sortKey="Bertoncini, Massimo" sort="Bertoncini, Massimo" uniqKey="Bertoncini M" first="Massimo" last="Bertoncini">Massimo Bertoncini</name><affiliation></affiliation><affiliation wicri:level="1"><country wicri:rule="url">Italie</country></affiliation></author></analytic><monogr></monogr><series><title level="s">Lecture Notes in Computer Science</title><imprint><date>2009</date></imprint><idno type="ISSN">0302-9743</idno><idno type="eISSN">1611-3349</idno><idno type="ISSN">0302-9743</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0302-9743</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Aesthetic experience</term><term>Artwork</term><term>Blue light</term><term>Bodily explorations</term><term>Circumspection phase</term><term>Cultural commentators</term><term>Different techniques</term><term>Field study</term><term>Flow experience</term><term>Future work</term><term>Galassie</term><term>Galaxy</term><term>Installation</term><term>Installation space</term><term>Interaction analysis</term><term>Interaction design</term><term>Interactive</term><term>Interactive area</term><term>Interactive installation</term><term>Interactive installations</term><term>Interface</term><term>Jacucci</term><term>Ludic</term><term>Ludic engagement</term><term>Ludic pleasure</term><term>Multimodal</term><term>Multimodal interfaces</term><term>Negative feelings</term><term>Ombra</term><term>Other people</term><term>Other techniques</term><term>Other visitors</term><term>Panas</term><term>Panas scores</term><term>People orient</term><term>Positive feelings</term><term>Proc</term><term>Public settings</term><term>Qualitative analysis</term><term>Qualitative questionnaire</term><term>Same space</term><term>Semantic categories</term><term>Social experience</term><term>Social psychology</term><term>Stelle</term><term>Studio azzurro</term><term>Subjective distress</term><term>Transparent wall</term><term>User</term><term>Visitor</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: We contribute with an extensive field study of a public interactive art installation that applies multimodal interface technologies. The installation is part of a Theater production on Galileo Galilei and includes: projected galaxies that are generated and move according to motion of visitors changing colour depending on their voices; projected stars that configure themselves around shadows of visitors. In the study we employ emotion scales (PANAS), qualitative analysis of questionnaire answers and video-recordings. PANAS rates indicate dominantly positive feelings, further described in the subjective verbalizations as gravitating around interest, ludic pleasure and transport. Through the video analysis, we identified three phases in the interaction with the artwork (circumspection, testing, play) and two pervasive features of these phases (experience sharing and imitation), which were also found in the verbalizations. Both video and verbalisations suggest that visitor’s experience and ludic pleasure are rooted in the embodied, performative interaction with the installation, and is negotiated with the other visitors.</div></front></TEI><affiliations><list><country><li>Finlande</li><li>Italie</li></country></list><tree><country name="Finlande"><noRegion><name sortKey="Jacucci, Giulio" sort="Jacucci, Giulio" uniqKey="Jacucci G" first="Giulio" last="Jacucci">Giulio Jacucci</name></noRegion><name sortKey="Jacucci, Giulio" sort="Jacucci, Giulio" uniqKey="Jacucci G" first="Giulio" last="Jacucci">Giulio Jacucci</name><name sortKey="Liikkanen, Lassi" sort="Liikkanen, Lassi" uniqKey="Liikkanen L" first="Lassi" last="Liikkanen">Lassi Liikkanen</name><name sortKey="Liikkanen, Lassi" sort="Liikkanen, Lassi" uniqKey="Liikkanen L" first="Lassi" last="Liikkanen">Lassi Liikkanen</name><name sortKey="Morrison, Ann" sort="Morrison, Ann" uniqKey="Morrison A" first="Ann" last="Morrison">Ann Morrison</name><name sortKey="Morrison, Ann" sort="Morrison, Ann" uniqKey="Morrison A" first="Ann" last="Morrison">Ann Morrison</name></country><country name="Italie"><noRegion><name sortKey="Spagnolli, Anna" sort="Spagnolli, Anna" uniqKey="Spagnolli A" first="Anna" last="Spagnolli">Anna Spagnolli</name></noRegion><name sortKey="Bertoncini, Massimo" sort="Bertoncini, Massimo" uniqKey="Bertoncini M" first="Massimo" last="Bertoncini">Massimo Bertoncini</name><name sortKey="Chalambalakis, Alessandro" sort="Chalambalakis, Alessandro" uniqKey="Chalambalakis A" first="Alessandro" last="Chalambalakis">Alessandro Chalambalakis</name><name sortKey="Roveda, Stefano" sort="Roveda, Stefano" uniqKey="Roveda S" first="Stefano" last="Roveda">Stefano Roveda</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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